"Lately I've been freelin' no pain…My heart is wide open and somehow
everything falls into place…and it's…"
Josh Rouse, Feeling no pain
Under Cold Blue Stars
ad that's all i have to say about it.
"Lately I've been freelin' no pain…My heart is wide open and somehow
everything falls into place…and it's…"
Josh Rouse, Feeling no pain
Under Cold Blue Stars
| You Were a Coyote |
![]() Brutally honest, you encourage people to show their true selves. You laugh at life - none of it can be taken too seriously. |
| You Belong in New York City |
![]() You're an energetic, ambitious woman. And only NYC is fast enough for you. Maybe you'll set yourself up with a killer career Or simply take in all the city has to offer. |
"Fall into you, is all I seem to do
When I hit the bottle
‘Cause I’m afraid to be alone
Tear us in two, is all it seems to do
As the anger fades
This house is no longer a home
Don’t give up on the dream,
Don’t give up on the wanting
And everything that’s true
Don’t give up on the dream,
Don’t give up on the wanting
Because I want you too
Stumble into you, is all I ever do
My memory’s hazy
And I’m afraid to be alone
Tear us in two, is all it’s gonna do
As the headache fades
This house is no longer a home"
placebo
meds
because i want you
| You're a Playful Kisser |
![]() Kissing is a huge game for you, a way to flirt and play You're the first one to suggest playing spin the bottle at a party Or you'll go for the wild kiss during a game of truth or dare And you're up for kissing any sexy stranger if the mood is right! |
| Your Ideal Relationship is Polyamory |
![]() You want to have your cake... and everyone else's. Which isn't a bad thing, if everyone else gets to eat too! You're too much of a free spirit to be tied down by a traditional relationship. You think relationships should be open and free, with few restrictions. |
| You Should Be A Poet |
![]() You craft words well, in creative and unexpected ways. And you have a great talent for evoking beautiful imagery... Or describing the most intense heartbreak ever. You're already naturally a poet, even if you've never written a poem. |
| You Should Learn Portuguese |
![]() Muito legal! For you, learning a language is all about the lifestyle that comes with it. And Brazilian beaches, hotties, parties, and soccer matches are just your style. |
| Your Lucky Underwear is Purple |
![]() Dreamy and idealistic, you envision great things for your life. Your lucky purple underwear can make those dreams come true! You're a busy little butterfly. You have the most projects, interests, and friends of anyone you know. You also have a flair for the dramatic. Sometimes too much drama comes in to your life and brings things to a stop. If you want to focus more, and flutter less, put on your purple underpants. They'll help you get the important things done. |

My love, my love, my love
How could you do this to me
My love, my love, my love
You were supposed to be
And I shouldn't have to tell you to explain yourself
My love, my love, my love
How could you do this to me
My love, my love, my love
You're not enough for me
And I shouldn't have to tell you to explain yourself
All I have is your letter read
And I cannot get it out of my head
And I'm afraid, and I can't breathe
And I'm in love with you
But you are not with me
And I have put so much into a life
I made too much about you now to lie
My love, my love, my love
How could you do this to me
My love, my love, my love
You're not enough for me
And I shouldn't have to tell you to explain yourself
But all I have is your letter read
And I cannot get it out of my head
Time passes by
While I wait for your call
Time passes by
I hear nothing at all
And I'm in love with you
But you are not with me
Rachel Yamagata - Happenstance
"Would you please get out from under my skin?
'Cause I can't begin this yet
And I don't know what my intentions are
They're speaking in a different tongue
And deep inside, I'm not as tough as I seem
But I won't let you know
Until it's right, I'm gonna stay my distance"
Rachel Yamagata, "Under my skin"
" And it'll be just as quiet when I leave
As it was when I first got here
I don't expect anything
Take care
I've been hurt before
Too much time spent on closing doors"
Rachel Yamagata, "Quiet"
This is why I always wonder
I'm a pond full of regrets
I always try to not remember rather than forget
keren ann, "Not going anywhere"

"Wich Way to Happy
Wake up your sleepy head to come a-crawling
Last on the road will be first to be heard
Tell me a joke and I will love you
Pour me a drink and I'm yours
I couldn't lie to anyone
Who's ever felt sure
Of a real life romance
There's no beaten cause
Surrounding me now
There's no bleeding heart
And I don't wanna know you right now
Make time to show me your scars
And which way to happy
And which way to hell
For I think I lost direction
When you threw me out of bed
Well are you sure there's a heaven
For I'd rather be, a bad bad oh
I wish I was in a suitcase on my way back home
To you there's a light in there
I keep on talking to myself
God, can you hear me?
There's no beaten cause
Surrounding me now
There's no bleeding heart
And I don't wanna know you right now
Let's walk the waters to help heal the love
For all we could take was what you'd just written off
The dawn of the dances are...
What you was and what you were and all
Who's dancing now?
Who-oo-oo-oo...
Well it's too late to learn
(Too late, too late, too late to learn)
Oh it's too late to learn
(Too late, too late, too late, too late)
I don't wanna have to be the one who has to lose you
No, I don't wanna have to be the one who has to lose you
No, I don't wanna have to be the one who has to lose you
And I don't wanna have to be the one who has to lose you
No, no
"(...)
so i was dreaming of you
i was falling with you
and broke my heart"
Sónia Tavares in "Deep Blue", Rodrigo Leão, Cinema.
"once upon a time somebody told me
i was going to be someone, i was s'posed to be someone.
(...)
blow winds and come rainclouds, gather over my head
cracks keep gaping down me,
opening great halls of tug-of-war
where no-one is the champion.
so slice me down the middle.
keep the half that wants to be
your eyes, your arms to fight for you.
(...)
can you let me squeeze the trigger, can you give me the gun?"
Polly Paulusma, "Carry me home"
| Your Japanese Name Is... |
![]() |
| Your Hawaiian Name is: |
![]() |
| Your Irish Name Is... |
![]() |
| Your Sexy Brazilian Name is: |
![]() |
| Your Pimp Name Is... |
![]() |
| Your Monster Profile |
![]() Ultima Goblin You Feast On: Peanut Butter You Lurk Around In: Swamps You Especially Like to Torment: Cops |
| Your 1920's Name is: |
![]() |
I believe life ends with death, and that is all.
[...] just the same,
in my new black leather phone book there's your name
and the disconneted number I still call.
Tony Harrison, "Long Distance II"
ÁRVORE DE MAPLE
INDEPENDÊNCIA MENTAL
Pessoa fora do comum. Cheio de imaginação e originalidade. Tímido e reservado, ambicioso, orgulhoso, respeita a si mesmo, busca novas experiências. Às vezes nervoso, muitos complexos, boa memória, aprende com facilidade, comprometido com o amor e com a vida, gosta de impressionar.
did he guide you across the threshold?
did he cup you in his hands?
did he drink you like water?
or blow you into air like sand?
is he standing right beside you?
did it work out how you planned?
are we saved or are we damned?
(...)
i can't stay here no longer
(...)
my time here is up
so goodbye, goodbye, goodbye, goodbye and good luck
"mea culpa", Polly Paulusma
DAN: And you left him, just like that?
PORTMAN: It's the only way to leave. "I don't love you
anymore.Goodbye."
DAN: Supposing you do still love them?
PORTMAN: You don't leave.
DAN: You've never left someone you still love?
PORTMAN: Nope.
hoje: dores dores dores... acordar por tar com dores não é a
minha ideia de uma manhã agradável...
parece de noite dentro deste edifício e nem se pode pôr
a cabeça lá fora....
chove chove chove (e eu acho que já deixei o guarda-chuva
perdido no caminho....)
(...)
It may be over but it won't stop there,
I am here for you if you'd only care.
You touched my heart you touched my soul.
You changed my life and all my goals.
And love is blind and that I knew when,
My heart was blinded by you.
I've kissed your lips and held your head.
Shared your dreams and shared your bed.
I know you well, I know your smell.
I've been addicted to you.
(...)
And as you move on, remember me,
Remember us and all we used to be
I've seen you cry, I've seen you smile.
I've watched you sleeping for a while.
I'd be the father of your child.
I'd spend a lifetime with you.
I know your fears and you know mine.
(...)
And I still hold your hand in mine.
In mine when I'm asleep.
And I will bear my soul in time,
When I'm kneeling at your feet.
(...)
Esta manhã comecei a esquecer-me de ti.
Acordei mais cedo que nos outros dias
e com o mesmo sono.
A tua boca dizia-me "bom dia" mas não:
não o teu corpo todo como nos outros dias.
As sombras por aqui são lentas e hoje não
comprei o jornal: o mundo que se ocupe da
sua própria melancolia.
ontem. há uma semana. há muitos meses.
um ano ensina ao coração o novo ofício:
a vida toda eu hei-de esquecer-me de ti.
* Rui Costa, in A Nuvem Prateada das Pessoas Graves,
Prémio Daniel Faria 2005 (o primeiro a ser atribuído),
Edições Quasi
"It's not in the stars
It's all in the proof
The chances the odds
The one you love will love
And fall for you
And fall for you"
tracy chapman, "Love's Proof"
"You touched my heart you touched my soul
You changed my life and all my goals.
And love is blind and that I knew when,
My heart was blinded by you.
I've kissed your lips and held your head.
Shared your dreams and shared your bed.
I know you well, I know your smell.
I've been addicted to you."
james blunt, "goodbye my lover"
speechless:
Status is important to you and your ability to achieve success and earn money. You have a need to be noticed and seek status. You have a talent for working with people on a one to one basis. You can be quite inventive and quite curious. You need to learn to be expressive. You are a person who cannot tolerate being misunderstood. You are clever, inventive, imaginative and youthful. You enjoy socializing. You work hard to achieve material success through your own efforts. You have a diplomatic flair to your nature. Equality and fairness are important to you. You need to learn to be expressive. You are a person who cannot tolerate being misunderstood. You have a need to earn money to prove your success to society and must learn the true value of material gains and status. You have a need to earn money to prove your success to society and must learn the true value of material gains and status.
If you think of me
If you miss me once in awhile
Then I'll return to you
I'll return and fill that space in your heart(...)
Together again
It would feel so good to be
In your arms
Where all my journeys end
If you can make a promise
If it's one that you can keep
I vow to come for you
If you wait for me
tracy chapman,
"The Promisse" in "New Beginning"
Polly Paulusma
I Was Made To Love You
In the sky I see angels
Flying all over town
they've got names in their pockets
Of lovers lost and found
If I send you my angel
Would you send yours to me
If our angels collide in the sky
You'll say it was meant to be
And days blank like they bleached them
And nights outline air like static on the phone
And you say that you feel them
But the words you picked so carefully keep coming out all wrong
So I'll write them in light
And I'll carve them in stone
I was made for loving you
I was put on this sweet earth too
I was made to love you
In the air I hear gunfire, going off in the hills
Clocks are ticking, the battle is nearing
I'm fending them off with these pills
If you're stuck in the front line
Would you charm your way out
You might like the idea of the kill
But you don't know what dying's about
In the sky I see angels
Flying all over town
They've got drugs in their pockets
To keep us all on the ground
I won't send you my angel
Angels only deceive
Spit the pills out
Feed fuel to your fear
And fly away with me
" And your arm felt nice wrapped 'round my shoulder
And I had a feeling that I belonged
And I had a feeling that I could be someone"
aqui
i remember it well i was stood in your line
and your mouth your mouth your mouth your mind
i want you here tonight i want you here
'cause i can't believe what i found
i want you here tonight want you
‘cause nothing is taking me down
‘cept you my love..
come all ye lost
dive into moss
i hope that my sanity covers the cost
to remove the stain of my love
paper maché
come all ye reborn
blow off my horn
i'm driving real hard
this is love this is porn
god would forgive me
but i..
i whip myself scorn scorn
i wanna hear what you have to say about me
hear if you're gonna live without me
hear what you want
aqui
"In a way I lost all I believed in
And I never found myself so low"
aqui
sem segredos em cima do armário. ou mesmo dentro dele. sem segredos nenhuns. como nuvens que se desfazem com o vento de terra.
sem segredos grandes nem pequenos no armário. eu hei-de saber... estou dentro dele.
que talvez aqui nada me consiga atingir. que talvez aqui não chegue o outono. nem mesmo o inverno...
ever since i saw you
i want to hold you
like you were the one
(...)
and i love you
i love you
i want you
but i fear you
who are you?
who are you?
(...)
for how long
how strong do i still have to be?
and how come you mean so much to me?
Mário Cesariny
de profundis amamus
Ontem
às onze
fumaste
um cigarro
encontrei-te
sentado
ficámos para perder
todos os teus eléctricos
os meus
estavam perdidos
por natureza própria
Andámos
dez quilómetros
a pé
ninguém nos viu passar
excepto
claro
os porteiros
é da natureza das coisas
ser-se visto
pelos porteiros
Olha
como só tu sabes olhar
a rua os costumes
O Público
o vinco das tuas calças
está cheio de frio
e há quatro mil pessoas interessadas
nisso
Não faz mal abracem-me
os teus olhos
de extremo a extremo azuis
vai ser assim
durante muito tempo
decorrerão muitos séculos antes de nós
mas não te
importes
não te importes
muito
nós só temos a ver
com o
presente
perfeito
corsários de olhos de gato
intransponível
maravilhados maravilhosos únicos
nem pretérito nem futuro tem
o estranho verbo nosso
Adeus
Já gastámos as palavras pela rua, meu amor,
e o que nos ficou não chega
para afastar o frio de quatro paredes.
Gastámos tudo menos o silêncio.
Gastámos os olhos com o sal das lágrimas,
gastámos as mãos à força de as apertarmos,
gastámos o relógio e as pedras das esquinas
em esperas inúteis.
Meto as mãos nas algibeiras e não encontro nada.
Antigamente tínhamos tanto para dar um ao outro;
era como se todas as coisas fossem minhas:
quanto mais te dava mais tinha para te dar.
Às vezes tu dizias: os teus olhos são peixes verdes.
E eu acreditava.
Acreditava,porque ao teu lado
todas as coisas eram possíveis.
Mas isso era no tempo dos segredos,
era no tempo em que o teu corpo era um aquário,
era no tempo em que os meus olhos
eram realmente peixes verdes.
Hoje são apenas os meus olhos.
É pouco mas é verdade,
uns olhos como todos os outros.
Já gastámos as palavras.
Quando agora digo: meu amor,
já não se passa absolutamente nada.
E no entanto, antes das palavras gastas,
tenho a certezade que todas as coisas estremeciam
só de murmurar o teu nome
no silêncio do meu coração.
Não temos já nada para dar.
Dentro de ti
não há nada que me peça água.
O passado é inútil como um trapo.
E já te disse: as palavras estão gastas.
Adeus.
Eugénio de Andrade
Your #1 Match: INFP |
| The Idealist You are creative with a great imagination, living in your own inner world.Open minded and accepting, you strive for harmony in your important relationships.It takes a long time for people to get to know you. You are hesitant to let people get close.But once you care for someone, you do everything you can to help them grow and develop. You would make an excellent writer, psychologist, or artist. |
" Cheguei tarde, e os que sabiam de mim
notaram que o meu corpo ja
nao me
pertencia. E perguntaram. Porque ardia
a tua boca nos meus labios
mais do que
a fogueira do segredo, respondi-lhesque o ceu, afinal , era mesmo azul, e o
verao uma estaçao maior que o
tempo,
e o tempo nada se o teu corpo estava
junto desse corpo que todos
ja sabiam
que nao vinha comigo- e que Deus,
Deus fechava os olhos e
existia. Riramos que te tinham conhecido noutra noite
com outra pele vestida; os outros
foram
para muito mais longe que o seu rosto
magoado dizer ao proprio
ouvido que eu
mentia. Mas os que ainda queriam saberde mim pediram-me que lhes contasse
quem eras, o teu nome. E eu mordi
essa
boca vermelha que deixara contigo para
nao ter de dizer que nem o
perguntara."in " Nenhum nome depois", Maria do Rosário
Pedreira
"(...) Morre lentamente
quem evita uma paixão,
quem prefere o negro sobre o branco
e os pontos sobre os "is" em detrimento de um redemoinho de emoções,
justamente as que resgatam o brilho dos olhos,
sorrisos dos bocejos,
corações aos tropeços e sentimentos. (...)"
in "Quem morre?" de Pablo
Neruda